Similar to the ideas of John Greene’s “Argument as
Conversation: The Role of Inquiry in Writing a Researched Argument,” John Story
seems focused on the importance of recognizing multiple perspectives of an
argument. By including various references in his writing, Story inserts himself
into the scholarly conversation and is able to arrive at new ideas and ways of
thinking. Rather than focusing on a single definition of ‘cultural studies’ and
replicating the ideas of past sources, he explores the topics thoroughly in order
to develop a deeper, more enlightened explanation. Additionally, like Greene,
Story seems to employ inquiry, issue, situation, and framing in
his researched writing. He recognizes that the conflicting points of view on
‘culture’ creates a situation that calls for a response, and he sets up
questions throughout his text in order to arrive at a new understanding of
‘cultural studies.’
Though I saw both pros and cons within each ‘definition’ of cultural
studies that Story explored in his writing, the approach I favor best is
looking at the topic through the lenses of structuralism and postmodernism. I agree that the
hegemony theory is an excellent way of looking at popular culture; however, I
do not think that the ideas of power struggle and class battle can justify every cultural practice.
Story briefly mentions the “mass culture perspective” and says that, “In this
sense, cultural practices such as Christmas and the seaside holiday, it could
be argued, function in much the same way as dreams: they articulate, in a
disguised form, collective (but repressed) wishes and desires” (9). There seems to be much validity in this
perspective, and viewing popular culture as a sort of shared human dream world seems
less cynical than viewing it in a Marxist way.