Once again, Story seems to employ the necessary strategies
of good researched writing that Greene noted in his article. Story provides
multiple angles, theories, and perspectives from intellectuals other than
himself in order to develop a more enriched understanding of popular culture.
Though I find each perspective to be fascinating, I also
find them to be somewhat cynical of popular culture, in addition to being
slightly elitist. I admire Arnold’s 4-fold definition of ‘culture,’ and I also
admire his idealism and belief in the beauty of human nature; however, he seems
to be suggesting that ‘perfection’ is only attainable to a handful of the most educated
elite – which I do not agree with. Leavis, in his theories, seems to be
suggesting that mass culture is poisonous escapism, and it is a threat to civilization
as a whole. This, to me, also seems to be a cynical theory; Leavis seems to
neglect exploring any positives that could potentially result from mass culture.
On the other hand, I find the theories brought up by the post-war debates to be
very interesting, and the ‘model’ established by Leslie Fielder seems to be an
effective lens through which to view popular culture. Dividing mass culture
into three parts: ‘the ironical-aristocratic sensibility,’ ‘the genteel
middling mind,’ and ‘the brutal-populist mentality’ does not entirely condemn
or praise the existence of mass culture, but rather, functions as a system of
organization. Though this is still slightly elitist, it does not seem as
extreme as Arnold, and it does not seem as condemning as Leavis.
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